YES VS. NO

I had always been led to believe the most powerful word in any language to be Yes, and it can certainly be claimed that when striving for positive results, a nod of the head is the best tact to take. A confident Thumbs-Up is the universal sign that things are looking good, whereas the dreaded Thumbs-Down has ruined many a day.

Yes just rolls off the tongue—effortlessly making all kinds of bold proclamations. Human nature eagerly encourages us to have that unwavering faith that things are going to work out. In contrast, No all too often seems to get a death-grip on the tip of the tongue, reluctant to be the bearer of the news that the positive outcome once believed possible is now gone.

Despite humanity’s love affair with looking on the bright side, after a half-century of having countless opportunities to choose between a Yes and a No, I have slowly but surely come to the conclusion that the power of No, when delivered with thought and care, is far more formidable then any flippant, slippery Yes; which can be offered all too easily if one is too eager to please—or simply scared shitless to speak the truth.

I have come to put great faith in this practice that to have the conviction to reject, refuse, rebuff or refute—is possibly the greatest tool to avoid regret.

Be it in school, work or life, when you are challenged with a specific task with the expectation to succeed, Yes and No can be scary to utter.

To answer in the affirmative is often your promise to deliver—believing things are not only possible, but that they are as good as done. Once this optimistic declaration is made, you have taken the often daunting and demanding ownership of overcoming all obstacles which may otherwise threaten a positive outcome.

To reply in the negative often makes you the bearer of bad news—not only possessing the potential to disappoint, but declaring there’s no point in continuing the pursuit of a once-promising prospect.

The impact of a healthy and mindful Yes is well-documented.

Contrary to it’s often negative perception, a sincere and succinct No, when wielded with forethought and purpose, can actually be one of the great contributors to the success of any goal.

·      No can give you control by saving the time and stress that you would otherwise endure by agreeing to take on a pursuit that is not in your best interest.

·      No can help you create healthy boundaries by preventing you from getting stuck in a  predicament that can be emotionally painful or professionally damaging.

·      No can be a sign of confidence by building your ability to survive the often uncomfortable consequences of saying No; as well as acknowledging the positive results from having the courage to avoid pitfalls.

·      No can save your ass by allowing you to avoid the temptation of being drawn into an unhealthy or unproductive relationship that you would eventually have to end anyway.

FINAL THOUGHT

Whether it’s a life-changing opportunity or everyday request, when faced with the decision to deliver a response in either the affirmative or negative, a Yes or No may not be handy; often due to further contemplation or additional information that is required to come to a solid answer.

When these moments of indecision arise, the temptation may be to jump to a shaky Yes or wimpy No; often leading to an incomplete or unsatisfactory result. This rush to give a Yes or No can often be the result of the pressures and limitations that are an unavoidable aspect of life.

The best remedy for this lack of clarity or rush to judgment is a simple, let me think about that a bit. This request for extra time may be necessary to relieve the pressure so you can make the best possible decision, then deliver a definitive Yes or No.

THE IMAGEMAKERS HANDBOOK

I WILL BE POSTING SELECTED WRITINGS FROM MY THREE VOLUME BOOK, THE IMAGEMAKERS HANDBOOK -  TO BE RELEASED MID-2015.

 

THE POWER OF THE IMAGEMAKER

Be it a painting or poem, sculpture or song, every piece of art is a discovery—an invention of the imagination—compelling the artist to become an intrepid voyager on a journey through life and self. Not taken for the glory of any final destination of victory, but chosen for the privilege to pursue a passion with purpose.

In science and engineering, the discovery of a life-saving drug or the invention of a time-saving device is an accomplishment that travels far beyond its creator; a gift born of effort and excellence to enhance and evolve the lives of others. As an Imagemaker, you should strive to bestow no less: to evoke emotion or provoke thought, to strengthen or shatter an existing idea, to cast light on what is unknown or bring truth to what is misunderstood. Sometimes to answer a question—sometimes to ask one.

Your creative voice is a universal form of expression—not only capable of crossing boundaries of language, culture and the ages—but transcending the human failings of hate, fear and ignorance. To be in possession of such a unique and potent gift is to not only be blessed with great potential, but also to be charged with great responsibility.

I often find myself in great museums searching for brush hairs and fingerprints embedded within history’s masterpieces. By discovering this physical evidence of the creative process, I am brought closer to that instant in time when these timeless treasures became real—that mortal moment when another human being, from another time, was immersed in the same pursuit to which I have devoted my life—to create images which not only fulfill potential, but transcend existence.

As the world struggles and strives to evolve, new images are needed every day, making the artist as essential and valuable as any doctor, professor or soldier in the preservation and perseverance of the human race. As with any  pursuit, art has been used and abused to advance agendas, to help stop wars and to start them, to record history and to alter it—yet at its best, the act of making art has helped make what seemed impossible, possible.

MUSE PROJECT

MUSE PROJECT

I have begun working on the next album for the band MUSE.

I will be doing the photography, illustration, and designing of the package. I will also be doing some motion work that will support the still images.

To be able to collaborate with a global music force is a challenging and exciting endeavor. I have had the opportunity to do similar projects with Tom Waits, U2, Queen Latifah, and The Bogmen.

The album title is DRONES - a word offering a dark and intriguing exploration of the potential virtues and abuses that come with control, responsibility, and purpose.

A few steps involved:

  • contacted by the band's management, Q-Prime, which I've worked with a lot during several Metallica music videos.
  • along with several other imagemakers, submitted my ideas based on the band's themes for the album.
  • had a face-to-face with Matt & Dom from the band.
  • After a bit of time I was chosen to take on the project.
  • I was sent lyrics to the songs and listened to some tunes to get a feel for the mood.
  • Presented sketches of ideas for approval.
  • Now beginning work on some finished images.

What makes a job like this such a blast is the amount of creative freedom that is allowed by the band. With this freedom comes the responsibility to serve the intent of the music while also being able to express my vision of the sounds and words. Another thrill to this kind of gig is the chance to hopefully contribute some memorable images to the decades-long history of album art.

I am grateful to MUSE for putting their trust in me to visually support a project that they have invested so much time, effort, and creativity.

I will be posting developments along the way.

NEW SITE NEW PROJECTS

 

Welcome.

The new site will have a store and blog that will be updated on a regular basis.

  • The store will be a virtual gallery selling original paintings, original photographs and digital prints.
  • The blog will post updates and insights on current jobs and projects—as well as some select writings from my 700 page, three volume, The Imagemakers Handbook - planning on a mid 2015 release.

I am working on a few new projects—some of which are included in the site, while others will be added as they evolve.

  • TOM WAITS BOOK - a collection of over 200 pages of photographs. paintings, drawings, digital images and live performance shot—as well as conceptual images of everything from a Tom Waits jetpack to and x-ray of his suitcase.
  • DEAD ANIMAL PAINTINGS - an oil, acrylic, and watercolor meditation on our furry, feathered and scaly friends who have met their end by anything from a speeding car to natural causes.
  • SURFER PAINTINGS - a collection of studies on the spiritual skill of riding the waves.
  • HEAD PAINTINGS - boxers, zombies, clowns, misfits imagined from the mind's eye.
  • INSECT PAINTINGS - anything that crawls, buzzes or flutters.

Here we go.